Black comedy ‘A Other Guy’ unusually triumphs at Gotham Awards


NEW YORK — In a amaze that surprised the target market of Hollywood’s first obese awards-season bash, “A Different Man,” a twilight comedy about doppelgängers, deformity and authenticity in performing, received superb property movie on the thirty fourth Gotham Awards on Monday night time.

A lot may also be unpredictable on the Gotham Awards, which makes use of little juries of insiders and movie business veterans to pick out nominees and winners. However because the “A Different Man” ensemble, together with Sebastian Stan and Adam Pearson, took the degree, writer-director Aaron Schimberg used to be in clear disbelief.

“I don’t think I’m the only person in this room who’s totally stunned,” said Schimberg. “Considering the other nominees, I thought it would be hubris to prepare a speech.”

At a starry Gothams that drew Zendaya, Timothée Chalamet and Angelina Jolie, most were expecting triumph for Sean Baker’s “Anora,” a comedy a few intercourse colleague who marries the son of a Russian oligarch. It got here within the govern nominee, the Cannes Palme d’Or winner, and perhaps a govern best-picture contender on the Oscars, however went house empty-handed.

In lieu, the night time belonged to the A24 drop “A Different Man,” which stars Stan as a person with facial deformities who’s healed of them. He’s later upstaged through the nature performed through Pearson, who in truth has neurofibromatosis, a situation that covers a lot of his face with benign pores and skin tumors.

The Gothams aren’t an Oscar bellwether, despite the fact that a number of of its contemporary govern winners – together with last year’s winner “Past Lives,” in addition to “Everything Everywhere All at Once” and “Nomadland” – have long gone directly to be nominated for superb photograph on the Academy Awards, with “Everything Everywhere” and “Nomadland” profitable.

Whether or not any of the winners Monday night time — “Sing Sing” and “Nickel Boys” had been additionally victorious — will significance the early wins as a springboard for extra trophies rest to be clear. However the Gothams, a black-tie affair held at Cipriani Wall Boulevard in downtown New york, generally tend give some sense of the flavour of the later gauntlet of award-season ceremonies.

How eminent politics, and the later establishing of President-elect Donald Trump, may well be on this generation’s Oscar race is among the greatest questions because the season ramps up. On Monday, Trump’s identify used to be by no means uttered on degree (despite the fact that Stan is within the awards combine for enjoying him in “The Apprentice” ), nor were there any overtly political statements. But several winner seemed to allude to the shifting political climate.

“Let’s keep doing the work that really matters and makes a difference,” mentioned Colman Domingo, who received superb govern efficiency. “That’s what we can do right now. That can be the light in the darkness.”

Domingo won for his starring role in “Sing Sing,” the indie drama about a real prison program called Rehabilitation Through the Arts, which helps incarcerated people heal through theater productions. Clarence Maclin, one of the formerly incarcerated men who co-star in the film, won best supporting performance. (The Gothams give gender-neutral acting awards that number 10 nominees instead of the typical five.)

“If someone was going to tell me ten years ago, I was going to be here, I wouldn’t have believed it,” said Maclin.

“Sing Sing,” also from A24, was arguably the emotional winner of the night. The film’s ensembled also accepted a tribute award. In one of the evening’s most powerful speeches Sean Dino Johnson, a founding member of RTA, spoke passionately about the redemptive qualities of the arts.

“Standing here tonight we are proof that movies like ‘Sing Sing’ don’t just entertain,” said Johnson. “They change lives.”

RaMell Ross’ “Nickel Boys,” his arrestingly photographed Colson Whitehead adaptation, also won two major awards: best diretor for Ross and breakthrough performer for Brandon Wilson. Ross’ film, about two Black teenagers at an abusive juvenile reform school in Jim Crow-era Florida, is filmed largely from the first-person perspective of its two main characters.

For many, the Gothams are a chance to make an impression with a speech that helps solidify their awards chances. To that cause, the Gothams gave out an array of tribute awards. This year’s crop was particularly starry, including Zendaya (for “Challengers” ), Jolie (for “Maria”), Chalamet and James Mangold (for “A Complete Unknown”), Denis Villeneuve (for “Dune: Part Two” ), the forged of “The Piano Lesson,” and Franklin Leonard, founding father of the fabled unproduced screenplay platform The Dim Record.

Jolie, who plays the opera singer Maria Callas in “Maria,” additionally spoke in regards to the virtue of the humanities.

“It’s so important that art be taught in our schools, and so concerning that is being reduced,” Jolie mentioned.

Zendaya, venerated for her efficiency in Luca Guadagnino’s “Challengers,” took a hour to thank her pace. “My mom’s here tonight,” she said. “Shout out mom.”

Chalamet read a short speech about his transformation into Bob Dylan for the upcoming “A Complete Unknown.”

“Getting to study and immerse myself in the world of Bob Dylan has been the greatest education a young artist can receive,” Chalamet said. “If you’re already a fan of Bob Dylan, this will make perfect sense to you. If you’re not familiar with his work, perhaps our film can serve as a humble gateway to one of the great poets and chroniclers of our times.”

Absolute best documentary going to “No Other Land,” a film made by a Palestinian and Israeli filmmaker collective that documents Israeli occupation of a Palestinian village in West Bank over the course of years. Despite being one of the year’s most acclaimed documentaries, “No Other Land” remains without an American distributor.

Payal Kapadia’s “All We Imagine as Light,” a poetic drama about three women in modern Mumbai, took the award for best international film. Though the film was the first Indian movie in competition in more than 30 years at the Cannes Film Festival, India opted not to select it for its Oscar submission.

The award for step forward director going to Vera Drew for “The People’s Joker,” a superhero parody about gender id. Drew thanked Warner Bros. “for not suing me” and Nicole Kidman, an attendee, as a result of, Drew mentioned, “’Batman Forever’ is when I realized I was trans.”


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